Lady Christian Hesketh. Autograph letters to Beaton.
- Beaton/A/A1/260
- File
- 1966–1972 (Mostly undated.)
Part of Papers of Sir Cecil Beaton
Hesketh, Lady Christian (b 1929)
Lady Christian Hesketh. Autograph letters to Beaton.
Part of Papers of Sir Cecil Beaton
Hesketh, Lady Christian (b 1929)
Lady Caroline Jane Somerset. Postcards to Beaton.
Part of Papers of Sir Cecil Beaton
Somerset, Lady Caroline Jane (1928-1995)
Lady Caroline Duff. Autograph letters to Beaton.
Part of Papers of Sir Cecil Beaton
Duff, Lady Caroline (1913-1976)
Lady Anne Tree. Autograph letter and postcard to Beaton.
Part of Papers of Sir Cecil Beaton
Tree, Lady Anne (1927-2010)
Lady Amy Akers-Douglas. Autograph letters to Beaton.
Part of Papers of Sir Cecil Beaton
Akers-Douglas, Lady Amy (d 1962)
Part of Papers of Sir Cecil Beaton
Includes correspondence relating to Beaton's work on 'La Traviata' ["The Fallen Woman"], an opera by Giuseppe Verdi, first performed on March 6, 1853, at the La Fenice opera house in Venice. The producer for the 1966 Metropolitan Opera House production - for which Beaton designed the costumes - was Alfred Lunt.
L. Arnold Weissberger. Typescript letters to Beaton.
Part of Papers of Sir Cecil Beaton
Weissberger, L Arnold (1907-1981) entertainment lawyer and photographer
Kyrle Leng. Letters to Beaton.
Part of Papers of Sir Cecil Beaton
Leng, Kyrle (1900-1958) photographer and printer
Kin Hoitsma. Letters and postcards to Beaton.
Part of Papers of Sir Cecil Beaton
Hoitsma, Kinmont (1934-2013) Olympic fencer and academic
Kenneth Wagg. Autograph letter signed to Beaton, from New York.
Part of Papers of Sir Cecil Beaton
Has met Beaton very seldom during the last 20 years, but having known both his sisters since they came out he feels entitled to approach him directly. Discusses a play of which he has bought half, and which should succeed provided they "give it the best treatment". Would like Beaton to design the sets and costumes.
Wagg, Kenneth (fl 1950-1960)