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First published in 'The Sewanee Review', 107:3, 1999. This subseries contains research material, a copied portion of the published article, and correspondence. Items will ultimately be catalogued individually; for now, a list follows.

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Photocopies of research material

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One photocopied page representing the final two pages of the published article

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CORRESPONDENCE

CORE, George

LE SAINT, Monique

PIRZIO-BIROLI, Fey von Hassell

ROSENBERG, Beatrice

TORRES, Dominique
TORRES-LEVIN, Tereska

VERDIER, Robert

WELLS, John

Bound volume of printed music presented to Samuel Butler by his Aunt Ellen [Worsley, nee Parkes], inscribed 'Samuel Butler with the love of his Aunt Ellen Worsley January 2nd 1865'. Contains: 'Sonate a Violino e Violono o Cimbalo da Arcangelo Corelle da Fusignano Opera Quinta Parte Prima' (London: Preston & Son), inscribed 'Ellen Parkes. 1819'; 'Corelli's Celebrated Twelve Concertos... Adapted for the Harpsichord or Piano Forte by Thomas Billington, Opera IX' (London: G. Walker), inscribed 'Ellen Harper Parkes February 27 1820 from her brother JEH'; 'Thorough Bass, made Clear to every Capacity by M.P. King' (London: W. Mitchell), inscribed 'Ellen Parkes March 1819'; 'Handel's Overtures Arranged for the Piano Forte with an Accompaniment Ad Libitum for a Flute or Violin by J. Mazzinghi' (London: C. Mitchell); 'Handel's Overtures Arranged for the Piano Forte with an Accompaniment Ad Libitum for a Flute or Violin by J. Mazzinghi' (London: Goulding & Company), inscribed 'Ellen Parkes'. Contains pencil annotations by Samuel Butler.

There is manuscript working by Jeffreys at B309.

Bound volume containing: 'L'Indispensable: Manual for Young Performers on the Piano Forte, by Ch. Chaulieu' (London: R. Cocks, [c.1840]); 'Melodies of All Nations arranged for the Piano Forte by William Hutchins Callcott' (London: Leader & Cock, [1851-9]); 'Handel's Celebrated Choruses, Newly Arranged from the Original Scores for the Piano Forte or Organ by John Goss' (London: Addison & Hodson, [1845-8]); 'From the Vocal Works of Handel, Arranged with a Separate Accompaniment for the Organ or Piano Forte by Dr John Clarke' (London: J. Surman, [c.1845]); 'Songs, Duets, Trios, Quartetts, & Choruses, Composed by Handel, Haydn, & Mozart, with an accompaniment for the organ or piano forte, by Vincent Novello' (London: J. Alfred Novello, 1862); 'A Gem of Mozart's, arranged by J.B. Cramer' (London: Leader & Cock, [1850]); 'The Student's Practice: Compositions of a moderate degree of difficulty, intended as an introduction to the "Classical Pianist," edited by Brinley Richards' (London: Robert Cocks, [1863-7]); 'Mendelssohn's Overture and March, to Racine's Tragedy of Athalie, arranged for the pianoforte solo, by Julius Rietz' (London: Ewer & Co.); 'Two Original Melodies for the Piano Forte, composed by A. Esain' (London: D'Almaine); 'Gavottes et Musettes pour Piano, S. Bach' (Paris: Felix Janet); 'The Unpublished and rarely known Works of John Sebastian Bach, for the Clavier or Piano Forte... By Carl Czerny' (London: J. Alfred Novello [c.1850]). Some inscribed by Samuel Butler.

Bound volume containing: 'Handel's Celebrated Coronation Anthem set for the Voice and Harpsichord in a manner never before printed' (London: William Randall, [1775]); 'Songs in the Mask Acis and Galatea'; 'Songs in Esther' ([Walsh, 1732?]); 'The Songs, Duet & Trio with the Overture in the Masque of Comus set for the Violin German Flute and Harpsichord Composed by Dr. Arne' (London: Henry Thorowgood, [c.1765?]); 'The Black Birds: A Cantata set to music by Mr Isaac' (London: J. Johnson, [1760]). A concert programme for the Wimbledon Music Society's performance of Handel's 'Jephtha' on 7 February 1884 is inserted at the front of the volume.

Correspondence between editors and contributors, largely arranged by contributor. Plans for the issue are included. One folder of galley proofs.

Correspondence between editors and contributors, organised by name of contributor. Some printed proofs of individual articles are included. A plan for the volume is also included.

Correspondence between the editors, contributors, and those asked to contribute. Arranged by contributor, with a single bundle for those who had refused. A typed, annotated list and further pencil list outline the overall plan for the volume.

Correspondence between the editors, with Academic Press, with contributors, and with academics who had been asked, but had refused, to contribute. Some correspondence is arranged according to the name of the correspondent.